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Rick Wakeman - 1973 - The Six Wives Of Henry VIII (FLAC 24 48, vinyl, A&M 86 560 IT)

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Music : Rock : Lossless
      
 

24/48
vinyl rip. A&M Records 86 560 IT. LP made in W.-Germany.

Side 1
1. Catherine Of Aragon
2.
Anne Of Cleves
3. Catherine Howard

Side 2
1. Jane Seymour
2. Anne Boleyn 'The Day Thou Gavest
Lord Hath Ended'
3. Catherine Parr

All titles written and arranged by Rick Wakeman, except for the Hymn
at the end of B2 which is 'The Day Thou Gavest Lord Hath Ended' (E.J. Hopkins, arr. Rick Wakeman)

Produced by
Rick Wakeman and recorded between February and October, 1972

A1 was engineered and mixed by Ken Scott at
Trident Studios, London
B2 was engineered by Ken Scott at Morgan Studios, London, and mixed by Dave Henshall at
Trident Studios
All the remaining tracks were engineered and mixed by Paul Tregurtha at Morgan Studios
Assistant engineer: Pete Flanagan

Art director: Michael Doud
Design: Ken Carroll
Front cover
photograph by Bruce Rae at Madame Tussauds
Inside - Ruan O'Lochlainn

This album is based around my
interpretations of the musical characteristics of the wives of Henry VIII. Although the style may not always be in
keeping with their individual history, it is my personal conception of their characters in relation to keyboard
instruments. - Rick

Rick Wakeman: Mini-Moog Synthesizers, Custom Mixer, Frequency Counter, Steinway
9'Grand Piano, Custom Built Hammond C-3 Organ, RMI Electric Piano and Harpsichord, 2 Mellotrons 400-D (Brass, Strings,
Flutes / Vocals, Sound Effects, Vibes)
In addition to the above instruments a Thomas Goff Harpsichord and A.R.P.
Synthesizer were used. All sounds put through two Stereo Leslies, Fender Dual Showman Amp & two JBL Cabinets. Also
used a custom built Oscillator, Fuzz & Wahwah Pedal and Binson Echo Unit. Keyboards & Amplification set up by:
John Cleary, Michael Tait, Philip Hepple, Claude Johnson Taylor. The organ on B1 was recorded at St. Giles,
Cripplegate.

Bass: Dave Winter (A2,B3), Chris Squire (A1), Chas Cronk (A3), Les
Hurdle (A1,B2)
Guitar: Mike Egan (A1,A2,B2,B3), Dave Lambert (A3), Steve Howe (A1)
Drums: Alan White (A2,B1,B3), Bill Bruford (A1,B2), Barry de Souza (A3)
Percussion: Ray
Cooper (A1,B2), Frank Ricotti (A2,A3,B3)
Electric Banjo: Dave Cousins (A3)
Vocals: Liza
Strike (A1,B2), Laura Lee (B2), Barry St.John (A1), Sylvia McNeill (B2), Judy Powell
(A1)

Vinyl etching:
C 86560 A-1 Made in Germany
C 86560 B-1 Made in Germany

Not only did this album help pave the way for progressive rock, but it also introduced the unbridled energy and
overall effectiveness of the synthesizer as a bona fide instrument. Six Wives gave Wakeman his chance to break away from
the other instrumental complexities that made up Yes and allowed him to prove what a driving force the keyboard could
truly be, especially in full album form. More than just synthesized wandering, Wakeman astoundingly conjures up a
separate musical persona by way of an instrumental ode to each of Henry VIII's wives through his dazzling use of the
Mellotron, Moog, and Hammond C-3 organ. For example, Wakeman's fiery runs and fortissimo thwarting of the synthesizer
throughout "Anne Boleyn" is a tribute to her feisty temper and valiant courage that she maintained while
standing up to her husband. With "Jane Seymour," on the other hand, Wakeman's playing is somewhat subdued and
gentle, which coincides with her legendary meekness and frailty, as well as her willingness to cater to Henry VIII.
Wakeman's masterful use of his synthesizers is instrumentally stunning, as is his talent of magically shaping the notes
to represent behavioral idiosyncrasies of his characters. Yes bassist Chris Squire lends a hand on "Catherine of
Aragon," while guitarist Steve Howe and drummer Bill Bruford appear on a few tracks as well, as does former Strawbs
member Dave Cousins, playing the electric banjo. The Six Wives of Henry VIII unleashes the unyielding power of the
keyboard as a dominant instrument, but also displays Wakeman at the beginning of an extremely resplendent career as a
solo musician. - Mike DeGagne, AMG
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